CC Madhya 19.187

Madhya-līlā, Chapter 19, Text 187

হাস্য, অদ্ভুত, বীর, করুণ, রৌদ্র, বীভৎস, ভয় ।
পঞ্চবিধ-ভক্তে গৌণ সপ্তরস হয় ॥ ১৮৭ ॥

hāsya, adbhuta, vīra, karuṇa, raudra, bībhatsa, bhaya
pañca-vidha-bhakte gauṇa sapta-rasa haya

Word by word

hāsya — laughter; adbhuta — wonder; vīra — chivalry; karuṇa — pathetic feeling; raudra — anger; bībhatsa — disaster; bhaya — fearfulness; pañca-vidha-bhakte — in five kinds of devotees; gauṇa — indirect; sapta-rasa — seven kinds of mellows; haya — there are.

Translation

“In addition to the five direct mellows, there are seven indirect mellows, known as laughter, wonder, chivalry, compassion, anger, disaster and fear.”

Purport

Similarly, hāsya, adbhuta, vīra, karuṇa, raudra, bhaya and bībhatsa — the seven indirect mellows — are explained in the Bhaktirasāmṛta-sindhu. The hāsya-bhakti-rasa, laughing devotion, is explained as follows (B.r.s. 4.1.6):

vakṣyamāṇair vibhāvādyaiḥ puṣṭiṁ hāsa-ratir gatā
hāsya-bhakti-raso nāma
 budhair eṣa nigadyate

“When through devotional service a laughing attachment to Kṛṣṇa is developed, it is called hāsya-bhakti-rasa by learned scholars.”

Similarly, adbhuta-rasa is described in the Bhakti-rasāmṛta-sindhu (4.2.1):

ātmocitair vibhāvādyaiḥ svādyatvaṁ bhakta-cetasi
sā vismaya-ratir nītād-
 bhuta-bhakti-raso bhavet

“When one’s general attachment is fixed in wonder, it is called adbhuta-bhakti-rasa.”

Vīra-bhakti-rasa is described as follows (B.r.s. 4.3.1):

saivotsāha-ratiḥ sthāyī vibhāvādyair nijocitaḥ
ānīyamānā svādyatvaṁ
 vīra-bhakti-raso bhavet
yuddha-dāna-dayā-dharmaiś
 caturdhā-vīra ucyate

“When attachment to Kṛṣṇa mixes with the bellicose tendency, the charitable tendency or the merciful tendency in the heart of the devotee, such devotion is called vīra-bhakti-rasa.”

Karuṇa-bhakti-rasa is described as follows (B.r.s. 4.4.1):

ātmocitair vibhāvādyair nītā puṣṭiṁ satāṁ hṛdi
bhavec choka-ratir bhakti-
 raso hi karuṇābhidhaḥ

“When one’s devotional attitude and attachment for Kṛṣṇa is mixed with lamentation, it is called karuṇa-bhakti-rasa.”

Similarly, raudra-bhakti-rasa is described as follows (B.r.s. 4.5.1):

nītā krodha-ratiḥ puṣṭiṁ vibhāvādyair nijocitaiḥ
hṛdi bhakta-janasyāsau
 raudra-bhakti-raso bhavet

“When devotion is mixed with anger in the heart of the devotee, the taste is called raudra-bhakti-rasa.”

Bhayānaka-bhakti-rasa is described as follows (B.r.s. 4.6.1):

vakṣyamāṇair vibhāvādyaiḥ puṣṭiṁ bhaya-ratir gatā
bhayānakābhidho bhakti-
 raso dhīrair udīryate

“When devotion is mixed with fear, it is called bhayānaka-bhakti-rasa.”

Bībhatsa-bhakti-rasa is described as follows (B.r.s. 4.7.1):

puṣṭiṁ nija-vibhāvādyair jugupsā-ratir āgatā
asau bhakti-raso dhīrair
 bībhatsākhya itīryate

“When one’s attachment for Kṛṣṇa develops in an abominable way, and the devotee enjoys it, that is called bībhatsa-bhakti-rasa.”

In conclusion, when a pure devotee is situated in any of the five principal mellows (śānta, dāsya, sakhya, vātsalya or madhura) and that mellow is mixed with one or more of the seven indirect bhakti-rasas (hāsya, adbhuta, vīra, karuṇa, raudra, bhayānaka or bībhatsa), the indirect mellows become prominent.